https://sophiehuckfield.com Sophie Huckfield Wed, 01 Apr 2026 13:45:27 +0000 https://sophiehuckfield.com en https://sophiehuckfield.com/Front-page Wed, 23 Dec 2020 22:22:30 +0000 Sophie Huckfield https://sophiehuckfield.com/Front-page https://sophiehuckfield.com/Home-Page Wed, 23 Dec 2020 21:08:42 +0000 Sophie Huckfield https://sophiehuckfield.com/Home-Page <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8c18326f0bd08f73fd6520f6ed80bc3f2a6fd22fbabd5e3b73c4ed2b04c92015/HUCKFIELD_BREAKTHEDRAMEDFF02.jpg" data-mid="92983187" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/8c18326f0bd08f73fd6520f6ed80bc3f2a6fd22fbabd5e3b73c4ed2b04c92015/HUCKFIELD_BREAKTHEDRAMEDFF02.jpg" /> https://sophiehuckfield.com/About Wed, 23 Dec 2020 22:22:30 +0000 Sophie Huckfield https://sophiehuckfield.com/About Sophie Huckfield (she/they) is a working class artist, designer and musician,&nbsp; Working across sculpture, sound, installation, performance, video and writing, they draw on archival research and collaborative processes to produce works that investigates the relationships between political and social histories of labour, technology, craft, class and (de)industrialisation, through a feminist and queer lens. They make sound, perform and DJ as Lady Ludd. They were awarded the Stanley Picker Fellowship at Kingston University in 2024. They have exhibited, performed and screened at The Southbank Centre, The Barbican Centre, The Design Museum, Dutch Design Week, London Design Festival, Vivid Projects and Birmingham Museum and Art Gallery and others.&nbsp; Contact: sophiehuckfield@outlook.com&nbsp; CV available on request Current / Upcoming A Socially Useful Production: “The Participation Waltz”. Sophie Huckfield &amp; Company. Exihibition at Stanley Picker Gallery. Kingston September 2026. Lady Ludd Performs at House of Annetta part of exhibition Softwear curated by Kira Wainstein. London. September 2026. Lady Ludd Performs at Piehouse Co-op. Deptford. October 2026 Shortlisted for the ORAM Awards: for women and non-binary people working in sound 2026 &nbsp; https://sophiehuckfield.com/Alternative-Uses Wed, 01 Apr 2026 13:45:27 +0000 Sophie Huckfield https://sophiehuckfield.com/Alternative-Uses <img width="4170" height="2620" width_o="4170" height_o="2620" data-src="https://freight.cargo.site/t/original/i/ff629a80ebaa2e46c6fde319b3f6e5356d8bdef745b4e2d3eabfe58a08094dd9/STUDENTS-IN-STAGE-2.jpg" data-mid="247512010" border="0" src="https://freight.cargo.site/w/1000/i/ff629a80ebaa2e46c6fde319b3f6e5356d8bdef745b4e2d3eabfe58a08094dd9/STUDENTS-IN-STAGE-2.jpg" /><img width="1672" height="1028" width_o="1672" height_o="1028" data-src="https://freight.cargo.site/t/original/i/0cefd8a3c3736a91af1af2190cdfa454b92d614b5f3ab5a7a4674a8d7f23310a/img20260527_15360403-1.jpg" data-mid="250214449" border="0" src="https://freight.cargo.site/w/1000/i/0cefd8a3c3736a91af1af2190cdfa454b92d614b5f3ab5a7a4674a8d7f23310a/img20260527_15360403-1.jpg" />Image Credit Denis Colebourne&nbsp; Alternative Uses: Socially Useful Sonic Instruments ! Instruments, stages, performance, sound 2026 Part of: Attack Decay Sustain Release: Experiments in Sound with Abbas Zahedi, Nnena Kalu &amp; Rebecca Kressley and more Attack Decay Sustain Release was a live, evolving exhibition at Stanley Picker Gallery exploring sound, time and collective making. Throughout the exhibition, three artists: Sophie Huckfield, Abbas Zahedi and Nnena Kalu with Action Space &amp; Rebecca Kressley, each took over the gallery for three weeks. Developing sound-based experiments, performances and events, to explore how sound is employed within, and influences upon, their individual artistic practices; whether as a primary medium in itself, as a by-product of creative production, or as a soundtrack to the act of making. Audiences and participants were invited to visit during the listed residency days, when the artists were working on site, and visit on the days between to hear, see and experience the works in their various stages of development as they accumulated in the spaces, both physically and sonically, layered over their alternate weeks in residence and culminated in a combined finale to conclude the programme. Rehearsing and playing on the augmented loom as Lady Ludd, Sophie Huckfield collaborated with Art and Design Foundation Students at the University of Kingston, inviting students to develop their own musical instruments in response to the Lucas Plan: a radical proposal developed by engineers and workers at Lucas Aerospace, who designed 150 ‘socially useful products’, from wind turbines to medical equipment, as an alternative to mass redundancies. Expanding on what ‘useful” is, students developed their own “socially useful sonic instruments”, meeting each week in the gallery to build upon their sounds and have ‘band practice/rehearsal’ style sessions in the gallery, forming the band ‘Alternative Uses’ with Lady Ludd The 3D Design Foundation cohort worked with Sophie to design and build four stages for the instruments to be played on throughout the exhibition based around the four phrases of Attack Decay Sustain Release (ADSR) which denote the four phases of a sound envelope. Students worked in four different groups based on each word to develop their stages, which were played and performed on throughout the exhibition and performances. The exhibition culminated in a live performance of the instruments as Alternative Uses in the Gallery, with future recordings and releases forthcoming. Recording at Visconti Studios&nbsp; Sound Engineer: Rob Plummer&nbsp; Alternative Uses are: Amelia Smith playing on the Water hammer Chaewon Kim playing on Warm EnergyFelix Nielsen playing on Blooming Booming Balloon BassoonImmy Carlier playing on Tap RattlerJasmine Tilney playing on Rain ChimeRuby Sims playing on Labour LoopZoe Popova playing on Unlock in Right Sophie Huckfield playing on the Augmented Loom ADSR Stages: 3D Foundation 2026 by:&nbsp; Adele Ryan, Bella Graas, Benji Van Heerden, Brooke Mcdonald, Caitlin Tam, Charlotte Saunders, Coco Brigden, Daniela Kvedaras Rivas, Darcy Hall-Barr, Delilah Corrado, Dionne Idiesca, Iris Brewin, Izzy Simon, Janae Barnett, Kai Foulerton, Kiko Clerkin Monzon, Lena Haque Bousquet, Leona Manchipp, Levi Oliver, Libby Hawkes, Lila Mushtaq Thurnhill, Lily D’Souza, Luc Tran, Luke Welham, Maddie Hodgson, Mia Leonard, Miguel Valencia Rivera, Misty Jones, Oliver Davy, Olivia Ganpatsingh, Rhys Griffiths, Scarlett Armitage, Sehara Jayasinghe, Siena Baker, Syd Dell Garrett, Theo Green, Theo Wilson, Tilly Wotherspoon, Violet Walter, Vittoria Jordao, Zennor Storey&nbsp; Staff 3D: Ellie Perry, Reign Charbit, Esme MacGregor, Symran Shah, Max Greenhalgh, Special Thanks to: Stanley Picker Gallery Team:David Falkner, Madeleine Collie, Faith McKie, Jamie Young, Tat, Whalley Natalie Kay&nbsp; All the front of house staff, volunteers, technicians, cleaners.&nbsp; Art &amp; Design Foundation Kingston University: Rebecca Davis, Natalie Wyle, Is Bealey, Ellie Perry. Documentation and Photography:Denis Colebourne Kingston Music Department:Leah Kardos, Fran Williams, Ebby Acquah, Rob Plummer <img width="1648" height="1064" width_o="1648" height_o="1064" data-src="https://freight.cargo.site/t/original/i/107bb819747cea8cf981364b02e655b54a14f91cf76a0f660ef16ecca1cb8d45/img20260527_14573537.jpg" data-mid="250214445" border="0" src="https://freight.cargo.site/w/1000/i/107bb819747cea8cf981364b02e655b54a14f91cf76a0f660ef16ecca1cb8d45/img20260527_14573537.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/ef8bee8d71d67ad140ae5625be6ce825c7c7b622d44336e6927480bd8d084025/IMG_2403.JPG" data-mid="247512523" border="0" src="https://freight.cargo.site/w/1000/i/ef8bee8d71d67ad140ae5625be6ce825c7c7b622d44336e6927480bd8d084025/IMG_2403.JPG" /><img width="4000" height="6000" width_o="4000" height_o="6000" 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/><img width="3336" height="2104" width_o="3336" height_o="2104" data-src="https://freight.cargo.site/t/original/i/a8931b0a1808d6d1746489b9ade230702675071800e1fcc6c61bed949134815a/INSTALL-SHOT.jpg" data-mid="247512149" border="0" src="https://freight.cargo.site/w/1000/i/a8931b0a1808d6d1746489b9ade230702675071800e1fcc6c61bed949134815a/INSTALL-SHOT.jpg" /> https://sophiehuckfield.com/Relief Fri, 31 Oct 2025 12:20:46 +0000 Sophie Huckfield https://sophiehuckfield.com/Relief <img width="9000" height="6000" width_o="9000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/c215482b0b19ba7c24b2903c59a2047a3a59ccd1ef86cc866d31dfb0e8925d91/ee_251006nagw_shuckfield_009.jpg" data-mid="241085717" border="0" src="https://freight.cargo.site/w/1000/i/c215482b0b19ba7c24b2903c59a2047a3a59ccd1ef86cc866d31dfb0e8925d91/ee_251006nagw_shuckfield_009.jpg" /> <img width="9000" height="6000" width_o="9000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/9c4059c42dee8ab73e5f5b34ab5b0b89591fa23f89f7946c0e440e9bf9e7a0c6/ee_251006nagw_shuckfield_049.jpg" data-mid="240105344" border="0" src="https://freight.cargo.site/w/1000/i/9c4059c42dee8ab73e5f5b34ab5b0b89591fa23f89f7946c0e440e9bf9e7a0c6/ee_251006nagw_shuckfield_049.jpg" />Installation at New Art Gallery Walsall. October. 2025. Image Credit: Emotive Eye Relief Embossed leather, moving-image, IKEA chipboard, metal embossing stamps, silver and gold embossing foil, IKEA Jumper. Paper. G-clamps, weights and shelving system &nbsp; Supported by The New Art Gallery Walsall Studio Residency&nbsp;2025Relief is a long-term body of work and research expanding upon the concept of ‘relief’, engaging with relief as a multifaceted process. Reflecting on how labour, craft, and industry leave lasting impressions on place and people, from narratives around heritage to the fictions corporations tell, while asking how families and communities continue to find their own forms of relief amid economic precarity, shifting high streets, and global pressures. Relief moves between the personal and local to the global, tracing how these interconnected forces shape everyday lives. Focusing on her hometown Walsall, once defined by its leather industry as its local identity, now often romanticised as it has declined,&nbsp;Drawing on connections with Hadfield Bridleworks, Walsall Gold Blockers, Sedgwick’s Leather and research at Walsall Archives, the residency culminated in moving-image works, sculptures, and writings that explore the many meanings of relief, from the physical act of embossing and blocking to the emotional and collective ways we seek release or relief.Working with leather embossing and gold-blocking stamps made from corporate slogans of William Hill, where her dad worked on Walsall High Street, and IKEA (Junction 9), where her mom worked in the 1990s, she reimagines these impressions as sites of memory and labour. Through incorporating redundant corporate dies from Hadfield’s, once used to mark prestige onto surfaces and reworked them to question how corporations shape identity and belonging.&nbsp; The work aim to reveal how these histories can obscure the exploitation of workers and their role in Empire building, alongside expanding on the histories of power embedded in relief, from state propaganda to corporate branding. Thanks to: NAGW Zoë Lippett, Deborah Robinson, Simon Bloor, Jeremy Hunt, Hannah Anderson, Kavita Kumari and all the security staff and cleaners. Hadfield Bridleworks: Deborah Ray, Lorraine Shail, Mick Citrullo, Donna Riley, Jan Mills, Barry Rotchell Walsall Goldblockers: Robert Hulme Sedgewick’s &amp; co leatherworks: Mark Abraham and Jo Hall Walsall Archives: Catherine Dickens Thanks to all who attended the open studio event&nbsp; <img width="9000" height="6000" width_o="9000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/39942267342e1fd85cb2f78c59cbf61b7a5dfd7ed9796df785d5d0a6928a1630/ee_251006nagw_shuckfield_010.jpg" data-mid="241085726" border="0" src="https://freight.cargo.site/w/1000/i/39942267342e1fd85cb2f78c59cbf61b7a5dfd7ed9796df785d5d0a6928a1630/ee_251006nagw_shuckfield_010.jpg" /><img width="9000" height="6000" width_o="9000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/3518d14e9656f3468de823f0839993b6e6162aa0e77ac9240d4e5ba46c4c468b/ee_251006nagw_shuckfield_036.jpg" data-mid="241085704" border="0" 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data-src="https://freight.cargo.site/t/original/i/c907a1b883b131280a3bba495d70663436c5c8234b6a6b61b1d3985d5f80a88c/ee_251006nagw_shuckfield_046.jpg" data-mid="240105342" border="0" src="https://freight.cargo.site/w/1000/i/c907a1b883b131280a3bba495d70663436c5c8234b6a6b61b1d3985d5f80a88c/ee_251006nagw_shuckfield_046.jpg" /><img width="6000" height="9000" width_o="6000" height_o="9000" data-src="https://freight.cargo.site/t/original/i/e2073bd1c5ef8fdfbd6777409f6ec39cd92e8bdc2ac76c928fd804df1ca6c866/ee_251006nagw_shuckfield_087.jpg" data-mid="240105364" border="0" src="https://freight.cargo.site/w/1000/i/e2073bd1c5ef8fdfbd6777409f6ec39cd92e8bdc2ac76c928fd804df1ca6c866/ee_251006nagw_shuckfield_087.jpg" /> <img width="9000" height="6000" width_o="9000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/072dff207942fc1196624c12311089e3d2cd21b77cde6b27bb5f1e9162e1ca22/ee_251006nagw_shuckfield_059.jpg" data-mid="240105348" border="0" src="https://freight.cargo.site/w/1000/i/072dff207942fc1196624c12311089e3d2cd21b77cde6b27bb5f1e9162e1ca22/ee_251006nagw_shuckfield_059.jpg" /><img width="9000" height="6000" width_o="9000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/850139423fc3c9eaad968137103f5ae247e8eee03ff93752878949c2a3d59702/ee_251006nagw_shuckfield_063.jpg" data-mid="240105351" border="0" src="https://freight.cargo.site/w/1000/i/850139423fc3c9eaad968137103f5ae247e8eee03ff93752878949c2a3d59702/ee_251006nagw_shuckfield_063.jpg" /><img width="9000" height="6000" width_o="9000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/60b0b1270d164f55e812e0a64397a6e993311ef036d142bbdb33569875edff07/ee_251006nagw_shuckfield_022.jpg" data-mid="241085708" border="0" src="https://freight.cargo.site/w/1000/i/60b0b1270d164f55e812e0a64397a6e993311ef036d142bbdb33569875edff07/ee_251006nagw_shuckfield_022.jpg" /> https://sophiehuckfield.com/Lady-Ludd Wed, 21 Aug 2024 08:04:08 +0000 Sophie Huckfield https://sophiehuckfield.com/Lady-Ludd <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/ba9be37784c0d5fbedfa368dc024be4685874b1d946dffca64cf049e91728214/OUTPOST033_1.jpg" data-mid="238469599" border="0" src="https://freight.cargo.site/w/1000/i/ba9be37784c0d5fbedfa368dc024be4685874b1d946dffca64cf049e91728214/OUTPOST033_1.jpg" /><img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/0bc30ea1cdb6c45ba13892ba749bd8d7e10b5ce840993b2da26288b8d2bfb3e0/OUTPOST002_1.jpg" data-mid="238469606" border="0" src="https://freight.cargo.site/w/1000/i/0bc30ea1cdb6c45ba13892ba749bd8d7e10b5ce840993b2da26288b8d2bfb3e0/OUTPOST002_1.jpg" /><img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/2ca2b1cce66358679b2bb4ea96442490e415ea4434a09b261e7d064cbadbff26/lady-ludd-performancejpeg.jpeg" data-mid="238469648" border="0" src="https://freight.cargo.site/w/1000/i/2ca2b1cce66358679b2bb4ea96442490e415ea4434a09b261e7d064cbadbff26/lady-ludd-performancejpeg.jpeg" />Lady Ludd Augmented loom for musical performance 2024 and ongoing Supported through the Near Now Fellowship, Arts Council England., The Sound and Music Charity and OUTPOST Gallery Lady Ludd researches and explores how to repurpose and create new ‘tools’ for ‘performance’, which centres around wider histories of women* and non-binary people’s work and activism in textile production across weave, lace and knit and its connection to creative and technological developments. Lady Ludd specifically focuses on a feminist and queer reframing of the Luddite movement, which originated in the East Midlands during the 19th Century. The Luddites objected to the rising implementation of automated textile equipment which threatened their livelihoods and Luddites destroyed machines ‘hurtful to commonality’, their protest was not against the machines, but their employers who sought to use these tools to displace workers. The Luddites had a collective identity such as King Ludd. An overlooked collective identity within the movement was Lady Ludd – historically Lady Ludd was of many genders and taking on this mantle consciously explored gender performance and fluidity for a range of aims, many in relation to direct action. The project resulted in the augmenting of a four shaft loom donated by the Framework Knitters Museum and collaborating with Dr. Juan Martinez Avila at the Mixed Reality Lab at The University of Nottingham, to repurpose the loom – a tool of predominantly historic feminised labour – into a musical instrument. As a form of creative and feminist technological resistance in the age of AI-based automation and shed light on how women and queer people have had to poetically “reclaim, rearrange, repurpose and rebirth” (Legacy Russell) the tools and technologies accessible to them towards strategic disruption and refusal. Alongside this, Nottingham based maker Rosie Deegan was commissioned to design a new stand for the loom and weavers from the Notts District of Weavers, Spinners and Dyers were commissioned to design and weave a fabric for a new costume which Lady Ludd will perform in and take on tour. Through reframing these narratives, Lady Ludd aims to build new understandings of Luddism in order to collectively manifest a contemporary intersectional feminist Luddism for now and in the future, and to question how technology is implemented and for whom. Artist and Composer: Sophie HuckfieldCreative Producer: Lee Nicholls (Near Now) Music Technologist: Dr Juan Martinez AvilaLoom Stand: Rosie DeeganCurator: Rae Jones-Jones for Outpost Gallery Solo Show Costume Weavers: Sarah Cooke and Ann Seals Costume Design and Fabrication: Molly Bonnell Stage Design and Fabrication: Sophie Huckfield and Tim Hattrick/Outpost Gallery Thanks to: Sarah Godfrey the Framework Knitters Museum for donating the loom and to the volunteers. The Notts Guild and District of Weavers Spinners and Dyers and to Nicholson Dye and Ann Seals. for teaching me how to weave and knit. Philipp at the Sparrows Nest Archives.The OUTPOST Team and Rae Jones-Jones and Tim Hattrick. Particular thanks to Lee Nicholls Creative Producer at Near Now for supporting this project. Lady Ludd at OUTPOST Gallery Norwich. 2025 . Image Credit Studio Adamson *when we say women this always includes trans women <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/cdb49709c4413e07677bd059ae1e045cc6effceda76dbf7a3984aa53d9596fdf/OUTPOST023_1.jpg" data-mid="238469588" border="0" src="https://freight.cargo.site/w/1000/i/cdb49709c4413e07677bd059ae1e045cc6effceda76dbf7a3984aa53d9596fdf/OUTPOST023_1.jpg" /><img width="1600" height="1066" width_o="1600" height_o="1066" data-src="https://freight.cargo.site/t/original/i/a9972fcf22799f6354ecb750f28fe815c5b7f3f1e5f3523d6dc396b9a2e99b7a/WhatsApp-Image-2025-09-11-at-10.34.29-1.jpeg" data-mid="238469652" border="0" src="https://freight.cargo.site/w/1000/i/a9972fcf22799f6354ecb750f28fe815c5b7f3f1e5f3523d6dc396b9a2e99b7a/WhatsApp-Image-2025-09-11-at-10.34.29-1.jpeg" /><img width="1280" height="1920" width_o="1280" height_o="1920" data-src="https://freight.cargo.site/t/original/i/44f25d7eee1c9c90b06a95b9b734d5f6ff7ca9d707ea8c6cea62329982aa3a15/OUTPOST018_1.jpg" data-mid="238469590" border="0" src="https://freight.cargo.site/w/1000/i/44f25d7eee1c9c90b06a95b9b734d5f6ff7ca9d707ea8c6cea62329982aa3a15/OUTPOST018_1.jpg" /> <img width="1280" height="1920" width_o="1280" height_o="1920" data-src="https://freight.cargo.site/t/original/i/e7d24dd87b72a7259568c44cec1f577f1700d3f02b9778f9ef1e565d62193143/OUTPOST021_1.jpg" data-mid="238469589" border="0" src="https://freight.cargo.site/w/1000/i/e7d24dd87b72a7259568c44cec1f577f1700d3f02b9778f9ef1e565d62193143/OUTPOST021_1.jpg" /><img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/30a4924feb23bd73b195777d6a06586b94a961f1c0b55dfca52b23c558440c6f/OUTPOST011_1.jpg" data-mid="238469591" border="0" src="https://freight.cargo.site/w/1000/i/30a4924feb23bd73b195777d6a06586b94a961f1c0b55dfca52b23c558440c6f/OUTPOST011_1.jpg" /><img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/4ff73492e2f3eff71ca0aeeb99e7ffa4c9f7e06ca5f5da596b8aadaade8bd207/OUTPOST015_1.jpg" data-mid="238469594" border="0" src="https://freight.cargo.site/w/1000/i/4ff73492e2f3eff71ca0aeeb99e7ffa4c9f7e06ca5f5da596b8aadaade8bd207/OUTPOST015_1.jpg" /><img width="1600" height="1066" width_o="1600" height_o="1066" data-src="https://freight.cargo.site/t/original/i/5e4d4fcaa9ed6f636d479b8c43c58c1dd59d3adc5f36e250b52991a39b75f3ae/WhatsApp-Image-2025-09-11-at-10.34.33.jpeg" data-mid="238469651" border="0" src="https://freight.cargo.site/w/1000/i/5e4d4fcaa9ed6f636d479b8c43c58c1dd59d3adc5f36e250b52991a39b75f3ae/WhatsApp-Image-2025-09-11-at-10.34.33.jpeg" />Lady Ludd at OUTPOST Gallery Norwich. 2025 . Image Credit Studio Adamson &nbsp; <img width="1580" height="1032" width_o="1580" height_o="1032" data-src="https://freight.cargo.site/t/original/i/a1f5370921fef59f337b874bfed18ae75d16babddafac23d12898e6596732d26/img20260527_16183000-2.jpg" data-mid="250525767" border="0" src="https://freight.cargo.site/w/1000/i/a1f5370921fef59f337b874bfed18ae75d16babddafac23d12898e6596732d26/img20260527_16183000-2.jpg" /> <img width="1672" height="1024" width_o="1672" height_o="1024" data-src="https://freight.cargo.site/t/original/i/2c31521634f99a9ee83dcab4fccab27f9bf2c5af6e6595234dd7645d1239c1a3/img20260527_16041561.jpg" data-mid="250525719" border="0" src="https://freight.cargo.site/w/1000/i/2c31521634f99a9ee83dcab4fccab27f9bf2c5af6e6595234dd7645d1239c1a3/img20260527_16041561.jpg" /> <img width="1028" height="1672" width_o="1028" height_o="1672" data-src="https://freight.cargo.site/t/original/i/dbd30b1e7db5480e5ecc5e8e0bad202615656969d87be6daa4ee341a87bf9207/img20260527_15363443.jpg" data-mid="250525718" border="0" src="https://freight.cargo.site/w/1000/i/dbd30b1e7db5480e5ecc5e8e0bad202615656969d87be6daa4ee341a87bf9207/img20260527_15363443.jpg" />Recording at Visconti Studios. Photo Credit: Denis Colebourne <img width="1733" height="1153" width_o="1733" height_o="1153" data-src="https://freight.cargo.site/t/original/i/0885ef26e7bf0f86fae1695dbe93236fc2c1f4525c80ac82591df363c3379774/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-LOW-14.JPG" data-mid="216716369" border="0" src="https://freight.cargo.site/w/1000/i/0885ef26e7bf0f86fae1695dbe93236fc2c1f4525c80ac82591df363c3379774/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-LOW-14.JPG" /><img width="1733" height="1153" width_o="1733" height_o="1153" data-src="https://freight.cargo.site/t/original/i/c27b6f6cd5191dd633e6965a64bee40f68b97e234efdc74e6078d89ac33d2805/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-LOW-75.JPG" data-mid="216716412" border="0" src="https://freight.cargo.site/w/1000/i/c27b6f6cd5191dd633e6965a64bee40f68b97e234efdc74e6078d89ac33d2805/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-LOW-75.JPG" /><img width="1153" height="1733" width_o="1153" height_o="1733" data-src="https://freight.cargo.site/t/original/i/415b774c6501dac8d464649a5281d933f4280fa81f4f077f0c72fbfbc6694b1a/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-LOW-23.JPG" data-mid="216716370" border="0" src="https://freight.cargo.site/w/1000/i/415b774c6501dac8d464649a5281d933f4280fa81f4f077f0c72fbfbc6694b1a/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-LOW-23.JPG" /><img width="1733" height="1153" width_o="1733" height_o="1153" data-src="https://freight.cargo.site/t/original/i/5baff10ac7a02dc7863ac20f6bdac6c24011f4873c85861740c6a45a8bc75642/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-LOW-44.JPG" data-mid="216716410" border="0" src="https://freight.cargo.site/w/1000/i/5baff10ac7a02dc7863ac20f6bdac6c24011f4873c85861740c6a45a8bc75642/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-LOW-44.JPG" /> <img width="6048" height="4024" width_o="6048" height_o="4024" data-src="https://freight.cargo.site/t/original/i/48286b73e6f855c0a0ae93e362fbbffc6acbe8a9c9d1f2e5dcfb435eec5fa75f/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-HIGH-63.JPG" data-mid="216719120" border="0" src="https://freight.cargo.site/w/1000/i/48286b73e6f855c0a0ae93e362fbbffc6acbe8a9c9d1f2e5dcfb435eec5fa75f/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-HIGH-63.JPG" /><img width="1733" height="1153" width_o="1733" height_o="1153" data-src="https://freight.cargo.site/t/original/i/02f26e643a44f1739b1e883cb8b6278099565b33b751eb938fcc2ee33a1791f7/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-LOW-64.JPG" data-mid="216716411" border="0" src="https://freight.cargo.site/w/1000/i/02f26e643a44f1739b1e883cb8b6278099565b33b751eb938fcc2ee33a1791f7/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-LOW-64.JPG" /><img width="1153" height="1733" width_o="1153" height_o="1733" data-src="https://freight.cargo.site/t/original/i/ec349cad85e0bcfb2a234d35864a6dd9890981b0f24dfe5f6d377f0331934859/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-LOW-11.JPG" data-mid="216716368" border="0" src="https://freight.cargo.site/w/1000/i/ec349cad85e0bcfb2a234d35864a6dd9890981b0f24dfe5f6d377f0331934859/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-LOW-11.JPG" /><img width="6048" height="4024" width_o="6048" height_o="4024" data-src="https://freight.cargo.site/t/original/i/021ccbbf498a928928b5a40837edbddf456aa002750308e605e43c130dbbdb48/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-HIGH-67.JPG" data-mid="216719124" border="0" src="https://freight.cargo.site/w/1000/i/021ccbbf498a928928b5a40837edbddf456aa002750308e605e43c130dbbdb48/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-HIGH-67.JPG" /><img width="6048" height="4024" width_o="6048" height_o="4024" data-src="https://freight.cargo.site/t/original/i/e2e3458dbd31340680440477470ae1024498e0f8d4dc99245b4c41ae5f4da512/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-HIGH-1.JPG" data-mid="216719061" border="0" src="https://freight.cargo.site/w/1000/i/e2e3458dbd31340680440477470ae1024498e0f8d4dc99245b4c41ae5f4da512/20240720---Sonic-Sculptures-II-Lady-Ludd---Broadway-HIGH-1.JPG" />Loom demonstration for Sonic Sculptures II at Broadway Gallery, 2024. Image Credits: Tom Platinum Morley https://sophiehuckfield.com/OUTWORK Sat, 23 Sep 2023 16:31:45 +0000 Sophie Huckfield https://sophiehuckfield.com/OUTWORK <img width="5656" height="3812" width_o="5656" height_o="3812" data-src="https://freight.cargo.site/t/original/i/13533d1e29d33610aad8264832418ecff4e7a18be51eba210e646ba3258b8ad9/Copy-of-CARON-HANDS-3.jpg" data-mid="191698882" border="0" src="https://freight.cargo.site/w/1000/i/13533d1e29d33610aad8264832418ecff4e7a18be51eba210e646ba3258b8ad9/Copy-of-CARON-HANDS-3.jpg" /><img width="4464" height="2286" width_o="4464" height_o="2286" data-src="https://freight.cargo.site/t/original/i/90e5cde933aea9a3e0b96fd34c58319d84c69c0aaf305c93fe5d2b77873c900b/hoardingoutwork5.jpg" data-mid="191645304" border="0" src="https://freight.cargo.site/w/1000/i/90e5cde933aea9a3e0b96fd34c58319d84c69c0aaf305c93fe5d2b77873c900b/hoardingoutwork5.jpg" /> OUTWORK&nbsp; Book, public artwork and podcast&nbsp;2023, with Multistory Funded by Everyday Heritage Grants: Celebrating Working Class Histories,&nbsp;Historic England,To download a copy of the publication and podcast, alongside further information about the project visit Multistory’s website Listen to the OUTWORK podcast&nbsp; “There was a saying in West Brom, for a long, long time: ‘If you didn’t work at K&amp;J, you knew someone that did’.” Karen Radburn, employee at Kenrick &amp; Jefferson OUTWORK tells the stories of women* employed at Kenrick and Jefferson (K&amp;J) Print Works on West Bromwich High Street. The project explores working-class womens relationship to work and social class. in West Bromwich. The project involved interviewing a cross section of K&amp;J workers and researching personal and public archives, with the project mediating on how women can make space to debate what work is and could be. OUTWORK is rooted in the heritage of women’s oral storytelling, referencing howwomen’s stories are often shared anecdotally and passed down through a spoken tradition,&nbsp; OUTWORK culminated in a book published by Multistory Editions, outdoor exhibition and podcast of the interviews in September 2023. The resulting book (co-designed, printed and hand bound by Joseph Lilley / Holodeck Birmingham and available as a free PDF from Multistory’s website) and the outdoor exhibition assembled images from the project participants’ personal archives; quotes from their interviews; and creative outcomes from two workshops charting the history of these working women’s lives, with a workshop hosted by Stirchley Printworks. Alongside, a new podcast produced by sound artist Dr Natalie Hyacinth and narrated by Wolverhampton City Poet Laureate (2020-2022) Emma Purshouse, *when we say women this always includes trans womenMany thanks to all involved in the project: Interviewees: Claire Boddy, Denise Burton, Yvonne Farnell, Lisa Harris, Geoff May, Caron O’Dowd, Manesh Patel, Nim Patel, R.Porter, Patricia Price, Karen Radburn, Jane Talbot, Janet Taylor, Olive Timmins. Workshop participants: Wendy Hood, Donna Martin, Gillian Miller, Caron O’Dowd, Manesh Patel, Nim Patel, Patricia Price, Jane Palfreyman, Judith Palfreyman, Janet Taylor, Jill Turner. Multistory: Jess PietteCaron WrightEmma Chetcuti Rene&nbsp;Francis-McBrearty Dr Natalie Hyacinth Joseph Lilley at Holodeck&nbsp; James Turner `at&nbsp;Stirchley Printworks&nbsp; Emma Purshouse Thanks to Historic England for supporting this project, and in particular, to Katy Hoskyn. Workshops at Oak House in West Bromwich and&nbsp;Stirchley Printworks 2023 <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d2c012df243c071d57ed4b524a3dd9c0a42332c87e1d8da15116ef04a97180f8/IMG_9932.jpeg" data-mid="194691082" border="0" src="https://freight.cargo.site/w/1000/i/d2c012df243c071d57ed4b524a3dd9c0a42332c87e1d8da15116ef04a97180f8/IMG_9932.jpeg" /><img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/7584f25aaa1439a67d626854e72aa8f907ec6d5ee55a090ef2c829528c3a9f9f/JANE-AND-NIM-hands-2.jpg" data-mid="191698888" border="0" src="https://freight.cargo.site/w/1000/i/7584f25aaa1439a67d626854e72aa8f907ec6d5ee55a090ef2c829528c3a9f9f/JANE-AND-NIM-hands-2.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/a4c9165b97fcf9bb916f13fcec9e20362d6b6fc36fe4f9e824f79ea3d14a8c96/Copy-of-jan-collaging-shot.jpg" data-mid="191698884" border="0" src="https://freight.cargo.site/w/1000/i/a4c9165b97fcf9bb916f13fcec9e20362d6b6fc36fe4f9e824f79ea3d14a8c96/Copy-of-jan-collaging-shot.jpg" /><img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/0dacc41dc36be19c57ed6582306338f72e686c4b1e8895bbbf64448f0ad7f380/Copy-of-IMG_0299.JPG" data-mid="191698883" border="0" src="https://freight.cargo.site/w/1000/i/0dacc41dc36be19c57ed6582306338f72e686c4b1e8895bbbf64448f0ad7f380/Copy-of-IMG_0299.JPG" /><img width="5219" height="3547" width_o="5219" height_o="3547" data-src="https://freight.cargo.site/t/original/i/2adacff9334abe095d299586c75763eac8736abefd06557276e2859975597d63/Copy-of-nims-hands-on-sister-card.jpg" data-mid="191698885" border="0" src="https://freight.cargo.site/w/1000/i/2adacff9334abe095d299586c75763eac8736abefd06557276e2859975597d63/Copy-of-nims-hands-on-sister-card.jpg" />Exhibition on West Bromwich High Street, September 2023 <img width="6000" height="3701" width_o="6000" height_o="3701" data-src="https://freight.cargo.site/t/original/i/7aa7a41bd38ac861ab73ef301258625e0cb2bd7a57b9bccf3ded4de0c28802a0/hoardingoutwork9.jpg" data-mid="191645308" border="0" src="https://freight.cargo.site/w/1000/i/7aa7a41bd38ac861ab73ef301258625e0cb2bd7a57b9bccf3ded4de0c28802a0/hoardingoutwork9.jpg" /><img width="5551" height="3411" width_o="5551" height_o="3411" data-src="https://freight.cargo.site/t/original/i/343d7e93c5d4f15f823896c7f96dac277234aa04d39c60aeae60f04987482107/hoardingoutwork14.jpg" data-mid="191645314" border="0" src="https://freight.cargo.site/w/1000/i/343d7e93c5d4f15f823896c7f96dac277234aa04d39c60aeae60f04987482107/hoardingoutwork14.jpg" /><img width="5487" height="3378" width_o="5487" height_o="3378" data-src="https://freight.cargo.site/t/original/i/8a169104a37ad57411a81f62f0f609908f73691ab07d7a44f1ca2d4c782b061d/hoardingoutwork3.jpg" data-mid="191645303" border="0" src="https://freight.cargo.site/w/1000/i/8a169104a37ad57411a81f62f0f609908f73691ab07d7a44f1ca2d4c782b061d/hoardingoutwork3.jpg" /><img width="5869" height="3089" width_o="5869" height_o="3089" data-src="https://freight.cargo.site/t/original/i/e50b071fc9071c5d13426c4fef6774abc243727eb0f26e22f55754ae01c03452/hoardingoutwork11.jpg" data-mid="191645311" border="0" src="https://freight.cargo.site/w/1000/i/e50b071fc9071c5d13426c4fef6774abc243727eb0f26e22f55754ae01c03452/hoardingoutwork11.jpg" /> Book Launch at Central Library In West Bromwich, 2023 <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/56cd9be04dcbcd2e5424c6493de332098b45f0bd275045aa7e9ba40acf56837b/IMG_0493.JPG" data-mid="191699511" border="0" src="https://freight.cargo.site/w/1000/i/56cd9be04dcbcd2e5424c6493de332098b45f0bd275045aa7e9ba40acf56837b/IMG_0493.JPG" /> <img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/e2ad2ec662afd359bdc2688bad1bbc0d2c254b8e3f3345490cd8f70e9b481fd3/IMG-20230921-WA0002.jpg" data-mid="191699513" border="0" src="https://freight.cargo.site/w/768/i/e2ad2ec662afd359bdc2688bad1bbc0d2c254b8e3f3345490cd8f70e9b481fd3/IMG-20230921-WA0002.jpg" /><img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/e605cb39895eaa06bff901d26aab9964571a2393bde3f74f31a8bdf4123a96c5/27.-OUTWORK-Book_Artist-Sophie-Huckfield_Design---Print-Holodeck--2023--Multistory.jpg" data-mid="191905693" border="0" src="https://freight.cargo.site/w/1000/i/e605cb39895eaa06bff901d26aab9964571a2393bde3f74f31a8bdf4123a96c5/27.-OUTWORK-Book_Artist-Sophie-Huckfield_Design---Print-Holodeck--2023--Multistory.jpg" /><img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/3609a4d62dd03f7ed7f74c8b9b7f1b6d9187f9f014950de83ea30d7b3b195bbb/IMG_0477.JPG" data-mid="191699510" border="0" src="https://freight.cargo.site/w/1000/i/3609a4d62dd03f7ed7f74c8b9b7f1b6d9187f9f014950de83ea30d7b3b195bbb/IMG_0477.JPG" /><img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/9d14a1b7d98a4c8ac1b1a26f36a08e44cbf11f60e4ec5007224fa5aa57cd6d3b/32.-Launch-of-OUTWORK-at-West-Bromwich-Central-Library--Sophie-Huckfield--Sept-2023--Multistory-1.JPG" data-mid="191699641" border="0" src="https://freight.cargo.site/w/1000/i/9d14a1b7d98a4c8ac1b1a26f36a08e44cbf11f60e4ec5007224fa5aa57cd6d3b/32.-Launch-of-OUTWORK-at-West-Bromwich-Central-Library--Sophie-Huckfield--Sept-2023--Multistory-1.JPG" /> https://sophiehuckfield.com/Factories-leaving-the-worker Thu, 20 Oct 2022 16:29:21 +0000 Sophie Huckfield https://sophiehuckfield.com/Factories-leaving-the-worker <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a1568dd1e7ada2464f0a1fea69cb42f5c241d387df8c88416d23eef92339afed/Factories-leaving-the-worker_1.jpg" data-mid="156706546" border="0" src="https://freight.cargo.site/w/1000/i/a1568dd1e7ada2464f0a1fea69cb42f5c241d387df8c88416d23eef92339afed/Factories-leaving-the-worker_1.jpg" /> Factories leaving the worker Moving-Image work. Running time 7mins Cut/Copy/Remix II, 2022 Commissioned by Birmingham Museum and Art Gallery and Vivid Projects ‘Factories Leaving the worker’ draws on archival materials from the Trade Union Resource Centre, Birmingham Museum and Art Gallery’s digital collections and contemporary footage of demolitions in the West Midlands, UK. The work explores the promises of nationalisation, the fight against privatisation of public services, alongside the legacies of Trade Unionism in the UK. The work is rooted in the concept of 'Ruins in Reverse', working with this method as a way to question the present moment: how the ‘cost of living crisis’ is intrinsically connected to neoliberal policies reaching back from the 1970’s. The work seeks to collapse temporalities and challenge the present narrative which posits our living conditions as an inevitability, but one we must continually challenge. Archive footage:‘Our Jobs Are Not For Sale’ (1984). Made by Unlimited Vision for WM County Council YURC Video (TURC Vivid) ‘Put People First’ (1982). NALGO's campaign against privatisation of public services (TURC Vivid) ‘Avtar Singh Jouhl on the IWA and the Trade Union Movement’ (1991-92) Birmingham Black Oral History Project (BMAG Digital Archives) Select Screenings: Chronic Youth Film Festival, The Barbican Centre Two Queens Birmingham Museum and Art Gallery Vivid Projects&nbsp; Video Extract of Factories leaving the worker <img width="800" height="534" width_o="800" height_o="534" data-src="https://freight.cargo.site/t/original/i/32a42f81eb99caaf80f0ea206fdeabc2aa74dac27fe7ceba635c27f2524ad59c/52472501604_9faff2acd4_c.jpg" data-mid="158097776" border="0" src="https://freight.cargo.site/w/800/i/32a42f81eb99caaf80f0ea206fdeabc2aa74dac27fe7ceba635c27f2524ad59c/52472501604_9faff2acd4_c.jpg" /> Cut Copy Remix II at&nbsp;Birmingham Museum and Art Gallery, 2022. Photo Credit Marcin Sz <img width="799" height="500" width_o="799" height_o="500" data-src="https://freight.cargo.site/t/original/i/f64e8d1e2a392431afc15586ac519f95742b01490ee1bd2d89ec9825da482c8e/52471717867_78a5e05e5a_c.jpg" data-mid="158097778" border="0" src="https://freight.cargo.site/w/799/i/f64e8d1e2a392431afc15586ac519f95742b01490ee1bd2d89ec9825da482c8e/52471717867_78a5e05e5a_c.jpg" /> Cut Copy Remix II at Birmingham Museum and Art Gallery, 2022. Photo Credit Marcin Sz <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/14f90fc448f4cc675080600993580f623a650954e54cd738121da4705b467599/Factories-leaving-the-worker_6.jpg" data-mid="156706552" border="0" src="https://freight.cargo.site/w/1000/i/14f90fc448f4cc675080600993580f623a650954e54cd738121da4705b467599/Factories-leaving-the-worker_6.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a78e59c147a3c2ee91995d2c9626bc8caef7b72e82a25d4e66f513362ccce527/Factories-leaving-the-worker_2.jpg" data-mid="156706547" border="0" src="https://freight.cargo.site/w/1000/i/a78e59c147a3c2ee91995d2c9626bc8caef7b72e82a25d4e66f513362ccce527/Factories-leaving-the-worker_2.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/43a5c1bfe6c221acad9c63a1f712ece82c5054cce45b152ba8570aa293666209/Factories-leaving-the-worker_4.jpg" data-mid="156706549" border="0" src="https://freight.cargo.site/w/1000/i/43a5c1bfe6c221acad9c63a1f712ece82c5054cce45b152ba8570aa293666209/Factories-leaving-the-worker_4.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a32589c381c4e865a42f81dbc624b8cfd4c98d3629eea9e1bc8203e115829cc9/Factories-leaving-the-worker_5.jpg" data-mid="156706551" border="0" src="https://freight.cargo.site/w/1000/i/a32589c381c4e865a42f81dbc624b8cfd4c98d3629eea9e1bc8203e115829cc9/Factories-leaving-the-worker_5.jpg" /> <img width="800" height="534" width_o="800" height_o="534" data-src="https://freight.cargo.site/t/original/i/8bad2995657bc0ccc7d36733c6a7380d1a7a3031ae4ec1cf40395b5bc891be70/52561193575_d9b42d5bf7_c.jpg" data-mid="164651939" border="0" src="https://freight.cargo.site/w/800/i/8bad2995657bc0ccc7d36733c6a7380d1a7a3031ae4ec1cf40395b5bc891be70/52561193575_d9b42d5bf7_c.jpg" />Exhibited at ‘Staying with The Trouble’, Vivid Projects. December 2022. Photo Credit Marcin Sz <img width="799" height="534" width_o="799" height_o="534" data-src="https://freight.cargo.site/t/original/i/a81bcece28f663272c0e1dbe7fbe3e04eae10e60b287bdf6868534dc386609e3/52560270602_7be8bce91c_c.jpg" data-mid="164651964" border="0" src="https://freight.cargo.site/w/799/i/a81bcece28f663272c0e1dbe7fbe3e04eae10e60b287bdf6868534dc386609e3/52560270602_7be8bce91c_c.jpg" /> Exhibited at ‘Staying with The Trouble’, Vivid Projects. December 2022. Photo Credit Marcin Sz https://sophiehuckfield.com/Break-The-Frame Sun, 12 Jul 2020 09:00:34 +0000 Sophie Huckfield https://sophiehuckfield.com/Break-The-Frame <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/32e84e180f65433ec3be7f333622a1222fd37a99ed581ebe7c83888dd6d9d555/HUCKFIELD_BREAK-THE-FRAME.jpg" data-mid="92991486" border="0" src="https://freight.cargo.site/w/1000/i/32e84e180f65433ec3be7f333622a1222fd37a99ed581ebe7c83888dd6d9d555/HUCKFIELD_BREAK-THE-FRAME.jpg" /> Break the Frame 2020Moving Image work. Duration: 9mins The moving image work: Break The Frame, incorporates contemporary and traditional craft processes:&nbsp; repurposed technology, puppetry, a musical score and moving image, as a tool to deconstruct the narratives around ‘progress’ in relation to histories and futures of labour practices, social class and technological develoment. Created during the first lockdown March - June 2020 Shortlisted for the Mullen-Nova Award, 2020 Longlisted for the Asthetica Art Prize, 2021 Select Screenings: Dutch Design Week London Design Festival The Design Film Festival at The Design Museum Broadway Cinema, Nottingham Written and directed:&nbsp; Sophie Huckfield Props: Sophie HuckfieldMusic Composition: Aubrey Jackson-BlakeNarration: Chris Huckfield and Sophie Huckfield &nbsp;Video Extract from Break The Frame <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3f45812a0723bb01f972f4c4bfe2374b79f01978faefddd6675de6e3c640d286/HUCKFIELD_BREAKTHEDRAMEDFF02.jpg" data-mid="92991522" border="0" src="https://freight.cargo.site/w/1000/i/3f45812a0723bb01f972f4c4bfe2374b79f01978faefddd6675de6e3c640d286/HUCKFIELD_BREAKTHEDRAMEDFF02.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/af9e5e677e4cd7aba96598a4c3cc962e845d97080b04e04f0960d4b2d6a33373/HUCKFIELD_BREAK-THE-FRAMEDFF03.jpg" data-mid="92991517" border="0" src="https://freight.cargo.site/w/1000/i/af9e5e677e4cd7aba96598a4c3cc962e845d97080b04e04f0960d4b2d6a33373/HUCKFIELD_BREAK-THE-FRAMEDFF03.jpg" /><img width="1667" height="1080" width_o="1667" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6c217297d4a1f1c8582948aa16613f16c30ebedb9a59bf217fc49a356810732d/HUCKFIELD_BREAK-THE-FRAMEDFF01.jpg" data-mid="92991515" border="0" src="https://freight.cargo.site/w/1000/i/6c217297d4a1f1c8582948aa16613f16c30ebedb9a59bf217fc49a356810732d/HUCKFIELD_BREAK-THE-FRAMEDFF01.jpg" /><img width="1920" height="1014" width_o="1920" height_o="1014" data-src="https://freight.cargo.site/t/original/i/e32668416d41bf9c318bcd5f462fadd58b7d59f4e69557a6607d8df500a31c78/HUCKFIELD_BREAKTHEFRAMEDFF04.jpg" data-mid="92991512" border="0" src="https://freight.cargo.site/w/1000/i/e32668416d41bf9c318bcd5f462fadd58b7d59f4e69557a6607d8df500a31c78/HUCKFIELD_BREAKTHEFRAMEDFF04.jpg" /> https://sophiehuckfield.com/New-Babylon Mon, 14 Oct 2019 10:28:29 +0000 Sophie Huckfield https://sophiehuckfield.com/New-Babylon <img width="2835" height="1890" width_o="2835" height_o="1890" data-src="https://freight.cargo.site/t/original/i/5a8e4fb1604228479ae5c91f719aa1e9cce45bf76fb4b3cbca748b586e1ce1dc/smallerheartbeat.jpg" data-mid="92991763" border="0" src="https://freight.cargo.site/w/1000/i/5a8e4fb1604228479ae5c91f719aa1e9cce45bf76fb4b3cbca748b586e1ce1dc/smallerheartbeat.jpg" /> New Babylon Dual channel video work (4 mins 25 secs). 3D printed data rocks, spray paint, metal rods, acrylic. Aluminium C-type prints.Exhibition Arcade East, 2019 Collaboration with Artist Lucy Hutchinson Music Composition by: Aubrey Jackson-Blake Commissioned by London College of Fashion, UAL as part of their Designer in Residence and exhibited for London Design Festival in 2019. New Babylon investigates how digital healthcare data is collected, refined and commodified. Developing a range of works which contrasts the processes employed by the mining industry and how the body is mined for data. From 3D printed rocks composed of personalised health data, a video and sound work of&nbsp; ‘cut-up’ research into data and healthcare, found footage and CGI animation. Which explores the mining of the body and the commodification of healthcare via contemporary health apps. Alongside aluminium prints mimicking traditional imagery of geographical mining sites and rock samples, using CT scans and microscopic imagery of the body as sites for extraction. <img width="1009" height="897" width_o="1009" height_o="897" data-src="https://freight.cargo.site/t/original/i/a8d61f95bffaa8783d4711bfe468fe80576a73a8d11542873f13be1d01c7808e/nice-with-printsSMALL.jpg" data-mid="92982208" border="0" src="https://freight.cargo.site/w/1000/i/a8d61f95bffaa8783d4711bfe468fe80576a73a8d11542873f13be1d01c7808e/nice-with-printsSMALL.jpg" /> <img width="4272" height="2848" width_o="4272" height_o="2848" data-src="https://freight.cargo.site/t/original/i/5b84a2bbda392491a6f4a9c33a213dccc90d150b0a9a3e75765b902bbf781896/heartbeat7.jpg" data-mid="92982206" border="0" src="https://freight.cargo.site/w/1000/i/5b84a2bbda392491a6f4a9c33a213dccc90d150b0a9a3e75765b902bbf781896/heartbeat7.jpg" /><img width="4272" height="2848" width_o="4272" height_o="2848" data-src="https://freight.cargo.site/t/original/i/367152466ec73650c15752b8df97f45f678e1220f88d152e0e55c60b27925495/location5.jpg" data-mid="92982214" border="0" src="https://freight.cargo.site/w/1000/i/367152466ec73650c15752b8df97f45f678e1220f88d152e0e55c60b27925495/location5.jpg" /><img width="4144" height="2848" width_o="4144" height_o="2848" data-src="https://freight.cargo.site/t/original/i/237c005dcf8c351d3b6ae07bd5c16d3c517b94d65aee4e4502cee9f2e524e9f0/testimonial.jpg" data-mid="92982211" border="0" src="https://freight.cargo.site/w/1000/i/237c005dcf8c351d3b6ae07bd5c16d3c517b94d65aee4e4502cee9f2e524e9f0/testimonial.jpg" /><img width="4256" height="2912" width_o="4256" height_o="2912" data-src="https://freight.cargo.site/t/original/i/006bee80b015408647cb4c4c52e697282b56f99c982fdbac3d4fa7f921c86c95/nice-mouth-shot-with-rocks.jpg" data-mid="92991762" border="0" src="https://freight.cargo.site/w/1000/i/006bee80b015408647cb4c4c52e697282b56f99c982fdbac3d4fa7f921c86c95/nice-mouth-shot-with-rocks.jpg" /> <img width="4192" height="2794" width_o="4192" height_o="2794" data-src="https://freight.cargo.site/t/original/i/086b1d670a9d35e1300aafb77515eee87607affec52e600a18b759e190d9967c/pedometer2.jpg" data-mid="92991735" border="0" src="https://freight.cargo.site/w/1000/i/086b1d670a9d35e1300aafb77515eee87607affec52e600a18b759e190d9967c/pedometer2.jpg" /><img width="4272" height="2848" width_o="4272" height_o="2848" data-src="https://freight.cargo.site/t/original/i/47575afdacf183cb71f9430f8b2d01da1194ce996e706f421fc44a06d481e798/an-opaque-topography-of-data-sets2.jpg" data-mid="92982202" border="0" src="https://freight.cargo.site/w/1000/i/47575afdacf183cb71f9430f8b2d01da1194ce996e706f421fc44a06d481e798/an-opaque-topography-of-data-sets2.jpg" />